Poetry. Latinx Studies. LGBTQIA Studies. Women's Studies. TÍTULO / TITLE is a book of poems by the Cuban poet, prose writer, and playwright Legna Rodríguez Iglesias, published here for the first time in Spanish, and in English translation by Katherine M. Hedeen. Rodríguez Iglesias belongs to the so-called Generation Zero in Cuba, those born after 1970 and who publish after 2000. After the fall of European socialism, Generation Zero grew up with little opportunities or future and its poetry embodies the crisis. TITLE does so by affirming a poetics of ugliness--the quotidian ugliness of poverty. Material need signals spiritual need. In an experimental, asphyxiating rush of repetition and enjambment, TITLE chronicles separation, alienation, unease, madness, illness while it presents readers with a unique vision of queerness, humanity, poetry. None of it is exceptional. These poems do not fall back on exotifying stereotypes. Instead, they offer a critical perspective of all sides. There is a brilliant grayness to this poetry that rejects how Cubans are supposed to write their reality, on either side of the Gulf.
Poetry. Latinx Studies. LGBTQIA Studies. Women's Studies. TÍTULO / TITLE is a book of poems by the Cuban poet, prose writer, and playwright Legna Rodríguez Iglesias, published here for the first time in Spanish, and in English translation by Katherine M. Hedeen. Rodríguez Iglesias belongs to the so-called Generation Zero in Cuba, those born after 1970 and who publish after 2000. After the fall of European socialism, Generation Zero grew up with little opportunities or future and its poetry embodies the crisis. TITLE does so by affirming a poetics of ugliness--the quotidian ugliness of poverty. Material need signals spiritual need. In an experimental, asphyxiating rush of repetition and enjambment, TITLE chronicles separation, alienation, unease, madness, illness while it presents readers with a unique vision of queerness, humanity, poetry. None of it is exceptional. These poems do not fall back on exotifying stereotypes. Instead, they offer a critical perspective of all sides. There is a brilliant grayness to this poetry that rejects how Cubans are supposed to write their reality, on either side of the Gulf.