The light of dawn is breaking over the impressive balconies of the Hotel Metropol as two legends, Friedrich Nietzsche and Leonardo Loredan, exchange thoughts on power, love, justice, and loyalty. The year could be 2014 or 2016, and the country suffers the ravages of the revolution that has overturned a "perfect dictatorship." Leonardo and Friedrich watch the mob pass by, mindful of the endless spiral of violence it represents and thinking that, perhaps, the horror will never end. Federico en su balcon is a testimony to Fuentes' literary triumph. A definitive lesson on what he stood for, and will continue to represent, as a writer. It is also a verbal self-portrait where the storyteller is multiplied in his characters to create the spiritual and philosophical contradictions that breathed in his soul a dialogue that opens the door to interrogations without attempting to provide decisive answers.
The light of dawn is breaking over the impressive balconies of the Hotel Metropol as two legends, Friedrich Nietzsche and Leonardo Loredan, exchange thoughts on power, love, justice, and loyalty. The year could be 2014 or 2016, and the country suffers the ravages of the revolution that has overturned a "perfect dictatorship." Leonardo and Friedrich watch the mob pass by, mindful of the endless spiral of violence it represents and thinking that, perhaps, the horror will never end. Federico en su balcon is a testimony to Fuentes' literary triumph. A definitive lesson on what he stood for, and will continue to represent, as a writer. It is also a verbal self-portrait where the storyteller is multiplied in his characters to create the spiritual and philosophical contradictions that breathed in his soul a dialogue that opens the door to interrogations without attempting to provide decisive answers.