Percussion Master Class on Works by Carter, Milhaud, and Stravinsky: A Complete Performance Analysis of Celebrated Works by Master Teachers and Performers
Percussion Master Class on Works by Carter, Milhaud, and Stravinsky: A Complete Performance Analysis of Celebrated Works by Master Teachers and Performers
. This latest work in the Meredith Music master class series presents a comprehensive, interpretive analysis and performance guide of three legendary compositions for timpani and percussion. Together, Morris Lang, Charles Dowd, and Anthony J. Cirone have put a lifetime of performance and study experience into an extensive volume featuring Eight Pieces for Four Timpani by Elliott Carter, Concertino for Percussion and Small Orchestra by Darius Milhaud and l'Histoire du Soldat by Igor Stravinsky. This in-depth, one-of-a-kind publication includes: corrections of wrong notes, rhythms, phrasings, and dynamics; far-reaching suggestions on interpretation; revised notation when original music was difficult to read; suggested muffling to enhance interpretation; additional articulations when appropriate; suggested sticking to increase musical phrasing; historical references.
Language
English
Pages
64
Format
Paperback
Publisher
Meredith Music Publications
Release
October 01, 2010
ISBN
157463111X
ISBN 13
9781574631111
Percussion Master Class on Works by Carter, Milhaud, and Stravinsky: A Complete Performance Analysis of Celebrated Works by Master Teachers and Performers
. This latest work in the Meredith Music master class series presents a comprehensive, interpretive analysis and performance guide of three legendary compositions for timpani and percussion. Together, Morris Lang, Charles Dowd, and Anthony J. Cirone have put a lifetime of performance and study experience into an extensive volume featuring Eight Pieces for Four Timpani by Elliott Carter, Concertino for Percussion and Small Orchestra by Darius Milhaud and l'Histoire du Soldat by Igor Stravinsky. This in-depth, one-of-a-kind publication includes: corrections of wrong notes, rhythms, phrasings, and dynamics; far-reaching suggestions on interpretation; revised notation when original music was difficult to read; suggested muffling to enhance interpretation; additional articulations when appropriate; suggested sticking to increase musical phrasing; historical references.