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The Classic: Sainte-Beuve and the Nineteenth-Century Culture Wars

The Classic: Sainte-Beuve and the Nineteenth-Century Culture Wars

Christopher Prendergast
4.3/5 ( ratings)
Focusing on a moment and a source in nineteenth-century France, Christopher Prendergast takes up a big question that is still with us: What is a classic? The question is, by virtue of its insistent recurrence, itself a classic question. It returns to haunt us. It provided the title of a text for French critic Charles-Augustin Sainte-Beuve in 1850 , as it did in the twentieth century for T.S. Eliot and John Coetzee. Centring on Sainte-Beuve in his nineteenth-century context, Prendergast's inquiry takes us historically to many places . He also provides an intellectual history that travels across multiple disciplinary territories .

Against this background, The Classic maps the evolution of Sainte-Beuve's thought from an initially cosmopolitan conception of the classic to an increasingly nationalist conception, with a strong emphasis on the heritage of Latinity and France as its principal legatee. This emphasis was taken up by the extreme right in France after Sainte-Beuve's death, in a determined mobilizing of a version of the classic on behalf of a proto-fascist agenda. The final chapter deals with this appropriation and ends with a question of our own about Sainte-Beuve's original question: in the light of this bleak history, perhaps the time has come to dispense with the term classic altogether.
Language
English
Pages
352
Format
Hardcover
Publisher
Oxford University Press, USA
Release
July 01, 2007
ISBN
0199215855
ISBN 13
9780199215850

The Classic: Sainte-Beuve and the Nineteenth-Century Culture Wars

Christopher Prendergast
4.3/5 ( ratings)
Focusing on a moment and a source in nineteenth-century France, Christopher Prendergast takes up a big question that is still with us: What is a classic? The question is, by virtue of its insistent recurrence, itself a classic question. It returns to haunt us. It provided the title of a text for French critic Charles-Augustin Sainte-Beuve in 1850 , as it did in the twentieth century for T.S. Eliot and John Coetzee. Centring on Sainte-Beuve in his nineteenth-century context, Prendergast's inquiry takes us historically to many places . He also provides an intellectual history that travels across multiple disciplinary territories .

Against this background, The Classic maps the evolution of Sainte-Beuve's thought from an initially cosmopolitan conception of the classic to an increasingly nationalist conception, with a strong emphasis on the heritage of Latinity and France as its principal legatee. This emphasis was taken up by the extreme right in France after Sainte-Beuve's death, in a determined mobilizing of a version of the classic on behalf of a proto-fascist agenda. The final chapter deals with this appropriation and ends with a question of our own about Sainte-Beuve's original question: in the light of this bleak history, perhaps the time has come to dispense with the term classic altogether.
Language
English
Pages
352
Format
Hardcover
Publisher
Oxford University Press, USA
Release
July 01, 2007
ISBN
0199215855
ISBN 13
9780199215850

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