"Beggars of Life was first published in 1924. It holds up remarkably well because Jim Tully was one of the founders of the spare, gritty unsentimental style that became known as "hardboiled" ." "Tully's father was a ditchdigger, his mother died when he was very young, and he spent several years in an orphanage. By the time he was 14 he was a road-kid hopping freight trains. He worked variously as a chain maker, a tree surgeon, and as a boxer - until he got knocked unconscious for 24 hours in a fight in San Francisco. Early on he also acquired a taste for reading and became a "library bum", hitting the stacks in the towns he tramped through. He loved Dumas and Dickens, but he above all sought to follow the example of Jack London and Maxim Gorky, two other road-kids who made it out of the tramp world through writing. And it worked for Tully too." He ended up in Hollywood, for a while as Charlie Chaplin's secretary, and then as practically the only honest - and therefore feared and respected - journalist in Hollywood; instead of rewriting the puff piece handouts of the powerful studios he wrote truthfully about the place.
"Beggars of Life was first published in 1924. It holds up remarkably well because Jim Tully was one of the founders of the spare, gritty unsentimental style that became known as "hardboiled" ." "Tully's father was a ditchdigger, his mother died when he was very young, and he spent several years in an orphanage. By the time he was 14 he was a road-kid hopping freight trains. He worked variously as a chain maker, a tree surgeon, and as a boxer - until he got knocked unconscious for 24 hours in a fight in San Francisco. Early on he also acquired a taste for reading and became a "library bum", hitting the stacks in the towns he tramped through. He loved Dumas and Dickens, but he above all sought to follow the example of Jack London and Maxim Gorky, two other road-kids who made it out of the tramp world through writing. And it worked for Tully too." He ended up in Hollywood, for a while as Charlie Chaplin's secretary, and then as practically the only honest - and therefore feared and respected - journalist in Hollywood; instead of rewriting the puff piece handouts of the powerful studios he wrote truthfully about the place.