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Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
Wasn’t it Forster who said of the poet Cavafy that he stood at a slight angle to the universe? Pokrass stands at a slight angle, and this is why her flashes aren’t just tiny vignettelets of modern life, as most flashes are. She deals with contemporary life, to be sure—marriage, relationship, family—but her images, her metaphors if you will, lift the stories into another place. There is, maybe, a similarity to the best forms of surrealism, or maybe even Russell Edson’s prose poems, a kind of “che...
