CONTACTS is a bridge between here and there, today and yesterday, the senses and the mind, the infinitesimal and the infinite, bodied forth in our present landscape. The force of these interpenetrations taps the resources of dreaming and of remembrance. The configuration given to them, by yielding up confined images, aims to extend the range of free appropriations, put links to the test and refocus questions. These confrontations by contact give to the act of projection the time to unfold differently and offer it a wider frame of vision. The coherence o four perception of beings and things escapes us, comes back to us, allows itself t be grasped for a moment, ten vanishes once again. Then, through juxtaposition and cross-reference, action becomes tuned to the realities of the world.
CONTACTS is a bridge between here and there, today and yesterday, the senses and the mind, the infinitesimal and the infinite, bodied forth in our present landscape. The force of these interpenetrations taps the resources of dreaming and of remembrance. The configuration given to them, by yielding up confined images, aims to extend the range of free appropriations, put links to the test and refocus questions. These confrontations by contact give to the act of projection the time to unfold differently and offer it a wider frame of vision. The coherence o four perception of beings and things escapes us, comes back to us, allows itself t be grasped for a moment, ten vanishes once again. Then, through juxtaposition and cross-reference, action becomes tuned to the realities of the world.