Table of Contents:
Introduction
1. Arvo Pärt and the Art of Embodiment
Peter C. Bouteneff, Jeffers Engelhardt, Robert Saler
2. The Sound—and Hearing—of Arvo Pärt
Peter C. Bouteneff
--History and Context
3. Sounding Structure, Structured Sound
Toomas Siitan
4. Colorful Dreams: Pärt’s Soviet Film Music and Tintinnabuli
Christopher J. May
5. Arvo Pärt’s Tintinnabuli and the Soviet Underground
Kevin C. Karnes
--Performance
6. The Pärt Sound
Paul Hillier, in conversation with Peter Bouteneff
7. The Rest is Silence
Andrew Shenton
--Materiality and Phenomenology
8. Vibrating, and Silent: Pärt’s Material Acoustics
Jeffers Engelhardt
9. Medieval Pärt
Andrew Albin
10. The Piano and the Performing Body in the Music of Arvo Pärt: --Phenomenological Perspectives
Maria Cizmic and Adriana Helbig
--Theology
11. Presence, Absence, and the Ambiguities of Ambiance:
Theological Discourse and the Move to Sound in Pärt Studies
Robert Saler
12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt
Ivan Moody
13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt
Alexander Lingas
14. In the Beginning There Was Sound: Hearing, Tintinnabuli and Musical Meaning in Sufism
Table of Contents:
Introduction
1. Arvo Pärt and the Art of Embodiment
Peter C. Bouteneff, Jeffers Engelhardt, Robert Saler
2. The Sound—and Hearing—of Arvo Pärt
Peter C. Bouteneff
--History and Context
3. Sounding Structure, Structured Sound
Toomas Siitan
4. Colorful Dreams: Pärt’s Soviet Film Music and Tintinnabuli
Christopher J. May
5. Arvo Pärt’s Tintinnabuli and the Soviet Underground
Kevin C. Karnes
--Performance
6. The Pärt Sound
Paul Hillier, in conversation with Peter Bouteneff
7. The Rest is Silence
Andrew Shenton
--Materiality and Phenomenology
8. Vibrating, and Silent: Pärt’s Material Acoustics
Jeffers Engelhardt
9. Medieval Pärt
Andrew Albin
10. The Piano and the Performing Body in the Music of Arvo Pärt: --Phenomenological Perspectives
Maria Cizmic and Adriana Helbig
--Theology
11. Presence, Absence, and the Ambiguities of Ambiance:
Theological Discourse and the Move to Sound in Pärt Studies
Robert Saler
12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt
Ivan Moody
13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt
Alexander Lingas
14. In the Beginning There Was Sound: Hearing, Tintinnabuli and Musical Meaning in Sufism