Read Anywhere and on Any Device!

Subscribe to Read | $0.00

Join today and start reading your favorite books for Free!

Read Anywhere and on Any Device!

  • Download on iOS
  • Download on Android
  • Download on iOS

Artists’ Moving Image in Britain Since 1989

Artists’ Moving Image in Britain Since 1989

Sarah Perks
0/5 ( ratings)
An in-depth study of the expanding role of the moving image in British art over the past thirty years

Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation’s most vital areas of artistic practice. How did we get here? Artists’ Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives—disparate, entwined, and often colorful—that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments.
Language
English
Pages
544
Format
Hardcover
Publisher
Paul Mellon Center for Studies in British Art
Release
October 15, 2019
ISBN
1913107019
ISBN 13
9781913107017

Artists’ Moving Image in Britain Since 1989

Sarah Perks
0/5 ( ratings)
An in-depth study of the expanding role of the moving image in British art over the past thirty years

Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation’s most vital areas of artistic practice. How did we get here? Artists’ Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives—disparate, entwined, and often colorful—that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments.
Language
English
Pages
544
Format
Hardcover
Publisher
Paul Mellon Center for Studies in British Art
Release
October 15, 2019
ISBN
1913107019
ISBN 13
9781913107017

Rate this book!

Write a review?

loader