Read Anywhere and on Any Device!

Subscribe to Read | $0.00

Join today and start reading your favorite books for Free!

Create Free Account

The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement: Two Projects by Pablo Helguera and Suzanne Lacy/Pilar Riano-Alcala

0/5 ( ratings)

The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement serves as a document of two intersecting projects by leading practitioners of socially engaged art, Suzanne Lacy and Pablo Helguera. Since the early 1970s, Los Angeles artist, writer and professor Suzanne Lacy has been staging performance-based interventions that engage with social themes and urban issues, advocating for radical political change. Profoundly influenced by Lacy, New York-based Pablo Helguera represents the next generation of socially engaged artists. Through his performances, installations, exhibitions and writings he addresses history, pedagogy, sociolinguistics, ethnography and memory.
Comprising text, photography, installation, collage, video and archival documentation, The School of Panamerican Unrest and The Skin of Memory/La Piel de la Memoria are representative of two seminal works by Helguera and Lacy . Collectively these works incorporate many overlapping themes in the artists' practices, including immigration, race and social organisation, while more generally proving the efficacy and importance of socially engaged art today.

Pages: 112

Format: Paperback

Publisher: Black Dog Publishing

Release: August 07, 2018

ISBN: 1911164988

ISBN 13: 9781911164982

The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement: Two Projects by Pablo Helguera and Suzanne Lacy/Pilar Riano-Alcala

0/5 ( ratings)

The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement serves as a document of two intersecting projects by leading practitioners of socially engaged art, Suzanne Lacy and Pablo Helguera. Since the early 1970s, Los Angeles artist, writer and professor Suzanne Lacy has been staging performance-based interventions that engage with social themes and urban issues, advocating for radical political change. Profoundly influenced by Lacy, New York-based Pablo Helguera represents the next generation of socially engaged artists. Through his performances, installations, exhibitions and writings he addresses history, pedagogy, sociolinguistics, ethnography and memory.
Comprising text, photography, installation, collage, video and archival documentation, The School of Panamerican Unrest and The Skin of Memory/La Piel de la Memoria are representative of two seminal works by Helguera and Lacy . Collectively these works incorporate many overlapping themes in the artists' practices, including immigration, race and social organisation, while more generally proving the efficacy and importance of socially engaged art today.

Pages: 112

Format: Paperback

Publisher: Black Dog Publishing

Release: August 07, 2018

ISBN: 1911164988

ISBN 13: 9781911164982

More books from Suzanne Lacy

Mapping the Terrain: New Genre Public Art

4.2/5 ( ratings)

Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007

3.8/5 ( ratings)

Fight Back: Feminist Resistance to Male Violence

4.6/5 ( ratings)

Curating Context: Beyond the Gallery and into Other Fields

Suzanne Lacy: Gender Agendas

量繪形貌：新類型公共藝術

Issue: Social strategies by women artists : an exhibition

Rate this book!

Write a review?