In 1957, Barney Rosset, Fred Jordan and a few others launched The Evergreen Review with work by Samuel Beckett, Jean-Paul Sartre, Mark Schorer, and James Purdy. For the next sixteen years, Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen’s genius lay in its ability to mix radical American voices from the literary and social fringes—Burroughs, Ginsberg, Susan Sontag, LeRoi Jones, Henry Miller—with a global cast of writers, many of whom were introduced to American readers by the magazine: Beckett, Genet, Grass, Ōe, Duras, Paz, Walcott, Nabokov. The magazine was often shocking, always intriguing. It featured some of the finest writing available, by writers whose influence continues to shape contemporary literature. Here are a few such selections:
In 1957, Barney Rosset, Fred Jordan and a few others launched The Evergreen Review with work by Samuel Beckett, Jean-Paul Sartre, Mark Schorer, and James Purdy. For the next sixteen years, Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen’s genius lay in its ability to mix radical American voices from the literary and social fringes—Burroughs, Ginsberg, Susan Sontag, LeRoi Jones, Henry Miller—with a global cast of writers, many of whom were introduced to American readers by the magazine: Beckett, Genet, Grass, Ōe, Duras, Paz, Walcott, Nabokov. The magazine was often shocking, always intriguing. It featured some of the finest writing available, by writers whose influence continues to shape contemporary literature. Here are a few such selections: