The stigmatisation of parody as "the worst enemy" of creativity has been pervasive in our literary culture. Although recent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity, the perception remains that parody existed only on the disreputable margins of earlier literary cultures. This study places parody firmly where it belongs: at the centre of the literary-creative process in much of the literature of the seventeenth and eighteenth centuries.
Language
English
Pages
272
Format
Hardcover
Publisher
Palgrave Macmillan
Release
March 15, 2007
ISBN
0230008569
ISBN 13
9780230008564
The Genius of Parody: Imitation and Originality in Seventeenth- and Eighteenth-Century English Literature
The stigmatisation of parody as "the worst enemy" of creativity has been pervasive in our literary culture. Although recent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity, the perception remains that parody existed only on the disreputable margins of earlier literary cultures. This study places parody firmly where it belongs: at the centre of the literary-creative process in much of the literature of the seventeenth and eighteenth centuries.