At first Martin d'Orgeval's fifth monograph, Découpages , appears to be a highly anonymous entity. Information is deliberately there is no title on the cover, no printed text inside, no linearity of subject. Yet as the book unfolds, the photographer's attention to shapes, lines and surfaces emerges.
At first Martin d'Orgeval's fifth monograph, Découpages , appears to be a highly anonymous entity. Information is deliberately there is no title on the cover, no printed text inside, no linearity of subject. Yet as the book unfolds, the photographer's attention to shapes, lines and surfaces emerges.