Excerpt from Teachers Manual for Our Part in the World
Read: The Leaven in a Great City, by Lillian W. Betts (dodd, Mead pp. 25 to 28 and 58 to 74. read: Twenty Years at Hull House, Jane Addams (macmillan chapter 8, Problems of Poverty.
Read: The Battle with the Slum, Jacob Riis, chapter 4, pp. 76-94, Poverty in a Great City. Read: The Life of Dorothea Dix, by John H. Morison.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Language
English
Pages
102
Format
Paperback
Release
September 27, 2015
ISBN 13
9781330484319
Teachers Manual for Our Part in the World (Classic Reprint)
Excerpt from Teachers Manual for Our Part in the World
Read: The Leaven in a Great City, by Lillian W. Betts (dodd, Mead pp. 25 to 28 and 58 to 74. read: Twenty Years at Hull House, Jane Addams (macmillan chapter 8, Problems of Poverty.
Read: The Battle with the Slum, Jacob Riis, chapter 4, pp. 76-94, Poverty in a Great City. Read: The Life of Dorothea Dix, by John H. Morison.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.