This volume documents British artist Roger Hiorns' largest show to date, at Kunsthaus CentrePasquArt and Galerie Rudolfinum. Hiorns' installations and sculptures generate and fill gaps between disparate ideas: between construction and destruction, theology and technology, temporariness and performance, authoritarian control and spontaneity.
This volume documents British artist Roger Hiorns' largest show to date, at Kunsthaus CentrePasquArt and Galerie Rudolfinum. Hiorns' installations and sculptures generate and fill gaps between disparate ideas: between construction and destruction, theology and technology, temporariness and performance, authoritarian control and spontaneity.