Since WWII artists have made increasing use of technological media, and, in their search for new art forms, have collaborated with filmmakers, dancers, actors, musicians, and other artists, to stage controversial, often outrageous and hilarious, seemingly spontaneous public gatherings. Happenings, first seen in New York in the early '60s, use live performers without the logical structure of drama, in an attempt to break down the customary distinctions between life and art.
Language
English
Pages
216
Format
Paperback
Publisher
Oxford University Press
Release
April 28, 1974
ISBN
0195199340
ISBN 13
9780195199345
Total Art: Environments, Happenings, and Performance
Since WWII artists have made increasing use of technological media, and, in their search for new art forms, have collaborated with filmmakers, dancers, actors, musicians, and other artists, to stage controversial, often outrageous and hilarious, seemingly spontaneous public gatherings. Happenings, first seen in New York in the early '60s, use live performers without the logical structure of drama, in an attempt to break down the customary distinctions between life and art.