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Bernard Shaw: Theatrics: Selected Correspondence of Bernard Shaw

Bernard Shaw: Theatrics: Selected Correspondence of Bernard Shaw

Dan H. Laurence
3.5/5 ( ratings)
In his introduction Dan H. Laurence notes that 'theatrics' connotes not only activities of a theatrical character but behaviour that manifests itself as theatricality. All the correspondence selected for this volume - most of it hitherto unpublished - relates to Bernard Shaw's theatre dealings and theatrical interest, at the same time attesting to the 'histrionic instinct' and 'theatrified imagination' of the man who penned them.

More than one hundred letters are represented, starting from mid-1889, when Shaw had not yet completed his first play and was known instead as a music critic, journalist, socialist organizer, and street orator. The letters reveal a consummate man of the theatre: a dramatist, director, actor, designer, publicist, financial backer, translator, and critic concerned with such varied issues as censorship, theatre politics, prying journalists, and wireless and television performance. The letters are shaded with histrionic tones of assumed anger, irritation, and anguish. The style invariably is colloquial, free-flowing, ebullient - and personal.
Language
English
Pages
254
Format
Hardcover
Publisher
University of Toronto Press
Release
August 15, 1995
ISBN
0802030009
ISBN 13
9780802030009

Bernard Shaw: Theatrics: Selected Correspondence of Bernard Shaw

Dan H. Laurence
3.5/5 ( ratings)
In his introduction Dan H. Laurence notes that 'theatrics' connotes not only activities of a theatrical character but behaviour that manifests itself as theatricality. All the correspondence selected for this volume - most of it hitherto unpublished - relates to Bernard Shaw's theatre dealings and theatrical interest, at the same time attesting to the 'histrionic instinct' and 'theatrified imagination' of the man who penned them.

More than one hundred letters are represented, starting from mid-1889, when Shaw had not yet completed his first play and was known instead as a music critic, journalist, socialist organizer, and street orator. The letters reveal a consummate man of the theatre: a dramatist, director, actor, designer, publicist, financial backer, translator, and critic concerned with such varied issues as censorship, theatre politics, prying journalists, and wireless and television performance. The letters are shaded with histrionic tones of assumed anger, irritation, and anguish. The style invariably is colloquial, free-flowing, ebullient - and personal.
Language
English
Pages
254
Format
Hardcover
Publisher
University of Toronto Press
Release
August 15, 1995
ISBN
0802030009
ISBN 13
9780802030009

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