From its beginnings as a fanzine before World War II, New Worlds struck out on a different path. In the postwar years, under the editorial direction of Michael Moorcock, the magazine published more award-winning stories than any other science fiction publication; it achieved a unique cross-fertilization between sci-fi and mainstream literature and became the vanguard of the "New Wave" writing that stood sci-fi on its head in the 1960s. It was banned, it received grants, and it became the subject of debate in the Houses of Parliament. Moorcock introduced a broad readership to writers whose names would endure, such as Samuel Delany, M. John Harrison, J. G. Ballard, D. M. Thomas, Harlan Ellison, Brian Aldiss, Fritz Leiber, John Brunner, Norman Spinrad and many others.
Contents:
Gravity by Harvey Jacobs
Concentrate 3 by Michael Butterworth
Dr. Gelabius by Hilary Bailey
Four-colour problem by Barrington Bayley
Running down by M. John Harrison
Eye of the lens by Langdon Jones
Assassination weapon by J.G. Ballard
Heat death of the universe by Pamela Zoline
Valve transcript by Joel Zoss
Tank trapeze by Michael Moorcock
Angouleme by Thomas M. Disch
Scream by Giles Gordon
Masterson and the clerks by John T. Sladek
Multi-value motorway by Brian W. Aldiss
Traveller's rest by David I. Masson
A landscape of shallows by Christopher Finch
Disaster story by Charles Platt
Conversations at Ma Maia Metron by Robert Meadley
No direction home by Norman Spinrad
Mr. Black's poems of innocence by D.M. Thomas
Soft world sequence by George MacBeth
Space hopping with Captain God by John T. Sladek
Scholia, seasoned with crabs, Blish is by John Clute
Sweet analytics by M. John Harrison
A literature of acceptance by James Colvin
Alphabets of unreason by J.G. Ballard
Language mechanisms by Christopher Finch
Languages of science by David Harvey
Circle of the white horse by Francis Arnold
From its beginnings as a fanzine before World War II, New Worlds struck out on a different path. In the postwar years, under the editorial direction of Michael Moorcock, the magazine published more award-winning stories than any other science fiction publication; it achieved a unique cross-fertilization between sci-fi and mainstream literature and became the vanguard of the "New Wave" writing that stood sci-fi on its head in the 1960s. It was banned, it received grants, and it became the subject of debate in the Houses of Parliament. Moorcock introduced a broad readership to writers whose names would endure, such as Samuel Delany, M. John Harrison, J. G. Ballard, D. M. Thomas, Harlan Ellison, Brian Aldiss, Fritz Leiber, John Brunner, Norman Spinrad and many others.
Contents:
Gravity by Harvey Jacobs
Concentrate 3 by Michael Butterworth
Dr. Gelabius by Hilary Bailey
Four-colour problem by Barrington Bayley
Running down by M. John Harrison
Eye of the lens by Langdon Jones
Assassination weapon by J.G. Ballard
Heat death of the universe by Pamela Zoline
Valve transcript by Joel Zoss
Tank trapeze by Michael Moorcock
Angouleme by Thomas M. Disch
Scream by Giles Gordon
Masterson and the clerks by John T. Sladek
Multi-value motorway by Brian W. Aldiss
Traveller's rest by David I. Masson
A landscape of shallows by Christopher Finch
Disaster story by Charles Platt
Conversations at Ma Maia Metron by Robert Meadley
No direction home by Norman Spinrad
Mr. Black's poems of innocence by D.M. Thomas
Soft world sequence by George MacBeth
Space hopping with Captain God by John T. Sladek
Scholia, seasoned with crabs, Blish is by John Clute
Sweet analytics by M. John Harrison
A literature of acceptance by James Colvin
Alphabets of unreason by J.G. Ballard
Language mechanisms by Christopher Finch
Languages of science by David Harvey
Circle of the white horse by Francis Arnold