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Linda A. Kinnahan

4.3/5 ( ratings)
Linda A. Kinnahan is Professor of English and Hillman Endowed Chair. Since 1990, she has taught courses in the undergraduate and graduate English and Women's and Gender Studies programs that focus on twentieth- and twenty first-century American and British literature, with particular interests in modernist and contemporary poetry, gender studies, and visual culture. In addition to multiple articles and book essays, her publications include two books on twentieth-century poetry, Poetics of the Feminine: Literary Tradition and Authority in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser and Lyric Interventions: Feminist Experimental Poetry and Contemporary Social Discourse .

Currently exploring interdisciplinary contexts for discussing poetry, she is working on several books, including: Modernist Poetry and the Gendering of Economics, which focuses on modernist women poets in relationship to the interactive dynamics of economics and visual culture in the early twentieth century; Mina Loy Among the Photographers, which situates Loy's poetry within the contexts of several photography movements of the twentieth century, including modernist portraiture, Surrealist photography, documentary photography, and photojournalism; and Contemporary Poetry and/as Visual Culture, which examines the work of several American and British poets whose recent work explores technologies of visual culture particular to the post-World War II era.

Linda A. Kinnahan

4.3/5 ( ratings)
Linda A. Kinnahan is Professor of English and Hillman Endowed Chair. Since 1990, she has taught courses in the undergraduate and graduate English and Women's and Gender Studies programs that focus on twentieth- and twenty first-century American and British literature, with particular interests in modernist and contemporary poetry, gender studies, and visual culture. In addition to multiple articles and book essays, her publications include two books on twentieth-century poetry, Poetics of the Feminine: Literary Tradition and Authority in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser and Lyric Interventions: Feminist Experimental Poetry and Contemporary Social Discourse .

Currently exploring interdisciplinary contexts for discussing poetry, she is working on several books, including: Modernist Poetry and the Gendering of Economics, which focuses on modernist women poets in relationship to the interactive dynamics of economics and visual culture in the early twentieth century; Mina Loy Among the Photographers, which situates Loy's poetry within the contexts of several photography movements of the twentieth century, including modernist portraiture, Surrealist photography, documentary photography, and photojournalism; and Contemporary Poetry and/as Visual Culture, which examines the work of several American and British poets whose recent work explores technologies of visual culture particular to the post-World War II era.

Books from Linda A. Kinnahan

We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics (Modern & Contemporary Poetics)

4.9/5 ( ratings)

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

4.9/5 ( ratings)

A History of Twentieth-Century American Women's Poetry

4.9/5 ( ratings)

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

4.9/5 ( ratings)

Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

4.9/5 ( ratings)
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