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Lee Kok Liang

3.4/5 ( ratings)
Lee Kok Liang was a man of diverse accomplishments in literature, law and politics. Born at Alor Star, Kedah in 1927, the son of a fourth-generation Straits-Chinese father and a mother whose culture was a mixture of Siamese, Chinese and Malay influences, his paternal grandfather was Chinese Secretary of the Kedah Sultunate, and his maternal grandfather a Chinese Kapitan to the Malay Sultan of Kedah. Lee's discrete cultural heritage and schooling in Malaya's Chinese, Japanese, English and Malay education systems in the 1930s and 1940s, together with his university education in Australia and England, provide the foundation for the poly-ethnic settings and themes of his prose fiction and his angst-ridden narratives of displacement and alienation. A solicitor who often represented oppressed minorities and the underprivileged in Penang society, and a one-time Labour Member of the Tanjung State Assembly, his writing closely mirrors his cross-racial experiences at home and abroad while showing a deep fascination with, and abhorrence of, cultural elitism and human suffering.

Lee's artistic and professional careers parallel Malaysia's own traumatic transition from British colony to emergent nation. Along with other noted Malaysian English-language writers, including K.S. Maniam, Lloyd Fernando, and expatriate writers such as Shirley Lim, his writing redresses previous rigid Eurocentric notions of power to create more protean senses of individual, cultural and national identities.

Lee Kok Liang

3.4/5 ( ratings)
Lee Kok Liang was a man of diverse accomplishments in literature, law and politics. Born at Alor Star, Kedah in 1927, the son of a fourth-generation Straits-Chinese father and a mother whose culture was a mixture of Siamese, Chinese and Malay influences, his paternal grandfather was Chinese Secretary of the Kedah Sultunate, and his maternal grandfather a Chinese Kapitan to the Malay Sultan of Kedah. Lee's discrete cultural heritage and schooling in Malaya's Chinese, Japanese, English and Malay education systems in the 1930s and 1940s, together with his university education in Australia and England, provide the foundation for the poly-ethnic settings and themes of his prose fiction and his angst-ridden narratives of displacement and alienation. A solicitor who often represented oppressed minorities and the underprivileged in Penang society, and a one-time Labour Member of the Tanjung State Assembly, his writing closely mirrors his cross-racial experiences at home and abroad while showing a deep fascination with, and abhorrence of, cultural elitism and human suffering.

Lee's artistic and professional careers parallel Malaysia's own traumatic transition from British colony to emergent nation. Along with other noted Malaysian English-language writers, including K.S. Maniam, Lloyd Fernando, and expatriate writers such as Shirley Lim, his writing redresses previous rigid Eurocentric notions of power to create more protean senses of individual, cultural and national identities.

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