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Rosemary Tonks

3.8/5 ( ratings)
Born
October 16 1928
Died
1414 04 20142014
Rosemary Tonks was an English poet and author. After publishing two poetry collections, six novels, and pieces in numerous media outlets, she disappeared from the public eye after her conversion to Fundamentalist Christianity in the 1970s; little was known about her life past that point, until her death.

Rosemary Desmond Boswell Tonks was born October 17, 1928 in Gillingham, Kent and was educated at Wentworth college in Bournemouth. She published children's stories while a teenager. In 1949, she married Michael Lightband , and the couple moved to Karachi, where she began to write poetry. Attacks of paratyphoid, contracted in Calcutta, and of polio, contracted in Karachi, forced a return to England. She later lived briefly in Paris.

Tonks worked for the BBC, writing stories and reviewing poetry for the BBC European Service. She published poems in collections and The Observer, the New Statesman, Transatlantic Review, London Magazine, Encounter, and Poetry Review, she read on the BBC's Third Programme. She also wrote "poetic novels".

Her work appears in many anthologies, including Anthology of Twentieth-Century British and Irish Poetry , Oxford Book of Twentieth Century English Verse, British Poetry since 1945, and The Firebox: Poetry in Britain and Ireland after 1945 .[citation needed]

Tonks stopped publishing poetry in the early 1970s, at about the same time as her conversion to a form of Christianity. Little was known publicly about her subsequent life past that point. As Andrew Motion wrote in 2004, she "Disappeared! What happened? Because I admire her poems, I've been trying to find out for years... no trace of her seems to survive – apart from the writing she left behind." The Anthology of Twentieth-Century British and Irish Poetry, which published three of Tonks' poems in 2001, states that permission to use her poems was obtained from a literary agency, Sheil Land Associates, Ltd. In the 30-minute BBC Radio 4 Lost Voices documentary, "The Poet Who Vanished", broadcast March 29, 2009, Brian Patten observed, from the literary world's pespective, she'd "evaporated into air like the Cheshire cat"; Tonks had disappeared from public view and was living a hermetic existence, refusing telephone and personal calls from friends, family and the media.

Tonks' poems offer a stylised view of an urban literary subculture around 1960, full of hedonism and decadence. The poet seems to veer from the ennui of Charles Baudelaire to exuberant disbelief of modern civilisation. There are illicit love affairs in seedy hotels and scenes of café life across Europe and the Middle East; there are sage reflections on men who are shy with women. She often targets the pathetic pretensions of writers and intellectuals. Yet she is often buoyant and chatty, bemused rather than critical, even self-deprecating.

She believed poetry should look good on a printed page as well as sound good when read: "There is an excitement for the eye in a poem on the page which is completely different from the ear's reaction". Of her style, she said "I have developed a visionary modern lyric, and, for it, an idiom in which I can write lyrically, colloquially, and dramatically. My subject is city life—with its sofas, hotel corridors, cinemas, underworlds, cardboard suitcases, self-willed buses, banknotes, soapy bathrooms, newspaper-filled parks; and its anguish, its enraged excitement, its great lonely joys."

Rosemary Tonks

3.8/5 ( ratings)
Born
October 16 1928
Died
1414 04 20142014
Rosemary Tonks was an English poet and author. After publishing two poetry collections, six novels, and pieces in numerous media outlets, she disappeared from the public eye after her conversion to Fundamentalist Christianity in the 1970s; little was known about her life past that point, until her death.

Rosemary Desmond Boswell Tonks was born October 17, 1928 in Gillingham, Kent and was educated at Wentworth college in Bournemouth. She published children's stories while a teenager. In 1949, she married Michael Lightband , and the couple moved to Karachi, where she began to write poetry. Attacks of paratyphoid, contracted in Calcutta, and of polio, contracted in Karachi, forced a return to England. She later lived briefly in Paris.

Tonks worked for the BBC, writing stories and reviewing poetry for the BBC European Service. She published poems in collections and The Observer, the New Statesman, Transatlantic Review, London Magazine, Encounter, and Poetry Review, she read on the BBC's Third Programme. She also wrote "poetic novels".

Her work appears in many anthologies, including Anthology of Twentieth-Century British and Irish Poetry , Oxford Book of Twentieth Century English Verse, British Poetry since 1945, and The Firebox: Poetry in Britain and Ireland after 1945 .[citation needed]

Tonks stopped publishing poetry in the early 1970s, at about the same time as her conversion to a form of Christianity. Little was known publicly about her subsequent life past that point. As Andrew Motion wrote in 2004, she "Disappeared! What happened? Because I admire her poems, I've been trying to find out for years... no trace of her seems to survive – apart from the writing she left behind." The Anthology of Twentieth-Century British and Irish Poetry, which published three of Tonks' poems in 2001, states that permission to use her poems was obtained from a literary agency, Sheil Land Associates, Ltd. In the 30-minute BBC Radio 4 Lost Voices documentary, "The Poet Who Vanished", broadcast March 29, 2009, Brian Patten observed, from the literary world's pespective, she'd "evaporated into air like the Cheshire cat"; Tonks had disappeared from public view and was living a hermetic existence, refusing telephone and personal calls from friends, family and the media.

Tonks' poems offer a stylised view of an urban literary subculture around 1960, full of hedonism and decadence. The poet seems to veer from the ennui of Charles Baudelaire to exuberant disbelief of modern civilisation. There are illicit love affairs in seedy hotels and scenes of café life across Europe and the Middle East; there are sage reflections on men who are shy with women. She often targets the pathetic pretensions of writers and intellectuals. Yet she is often buoyant and chatty, bemused rather than critical, even self-deprecating.

She believed poetry should look good on a printed page as well as sound good when read: "There is an excitement for the eye in a poem on the page which is completely different from the ear's reaction". Of her style, she said "I have developed a visionary modern lyric, and, for it, an idiom in which I can write lyrically, colloquially, and dramatically. My subject is city life—with its sofas, hotel corridors, cinemas, underworlds, cardboard suitcases, self-willed buses, banknotes, soapy bathrooms, newspaper-filled parks; and its anguish, its enraged excitement, its great lonely joys."

Books from Rosemary Tonks

Poetki z Wysp

0/5 ( ratings)

Opium Fogs

0/5 ( ratings)

The Halt During The Chase

0/5 ( ratings)

Businessmen As Lovers

0/5 ( ratings)

Iliad of Broken Sentences

0/5 ( ratings)

Bedouin of the London Evening: Collected Poems

0/5 ( ratings)

On Wooden Wings

0/5 ( ratings)

Bedouin of the London Evening: Collected Poems: Collected Poems & Selected Prose

0/5 ( ratings)

Horizons

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